Control Resonant composer says 'it was a great relief that we exited The Oldest House' but it was key that he 'tried not to re-do Inception' as it would have been 'a tad tacky' and 'reduced Remedy’s concept to something less worthwhile'
- Control Resonant composer Petri Alanko says the game's "nightmarish" open environment influenced his approach to creating the soundtrack
- He says he "tried not to re-do Inception" because "That would’ve been a tad tacky" and "reduced Remedy’s concept"
- Alanko says "Accentuating Dylan’s starting point" was the origin point for conceptualizing the music within the open-world environment
Control Resonant composer Petri Alanko has shared how the game's new setting influenced the soundtrack compared to the first game, and how it helped him represent the protagonist, Dylan.
The Control sequel takes place in a warped version of Manhattan, a totally new environment from the first game's interior setting of The Oldest House, which offers more "open-world" exploration and pushes players to engage in side content alongside the main story.
The setting has been compared to Christopher Nolan's Inception, with its surreal art style and gravity-defying buildings; however, according to Alanko,...
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